Thursday, May 13, 2010
Thursday, February 4, 2010
Transitions
1) Cut - the point where two points come together; to determine what different shots the director wants to be seen on screen an/or the pace of
the scene (quick and subtle)
Cutting on the Action: cut from one shot to another different shot that matches the intensity and the action of the previous shot (shows
continuity between the two actions)
Rapid Cutting: a sequence of rapid cuts used in suspenseful, action-packed or high-impact montage sequences
Fade - fade in (marks the start of a sequence) and fade out/fade to black (marks the end of a sequence)
Fade into or out of black: focus is being moved f rom one scene to another
Fade out to black and back in from black: passage of time
Dissolve - the blending of two shots to communicate a passage of time and/or location, a visually smooth transition between one or more
shots/scenes. Allow for handles (short sequences that lead up to and follow transitions).
(examples of dissolves: ripple dissolve, cross dissolve)
Other Examples of Transitions: wipes, cross zooms, flash frames, jump cuts
2) - Do I need a transition at this point?
- What transition will visually enhance my story-line?
- Which transition will visually detract from my story?
3) Cuts and Dissolves are the best story telling transitions.
the scene (quick and subtle)
Cutting on the Action: cut from one shot to another different shot that matches the intensity and the action of the previous shot (shows
continuity between the two actions)
Rapid Cutting: a sequence of rapid cuts used in suspenseful, action-packed or high-impact montage sequences
Fade - fade in (marks the start of a sequence) and fade out/fade to black (marks the end of a sequence)
Fade into or out of black: focus is being moved f rom one scene to another
Fade out to black and back in from black: passage of time
Dissolve - the blending of two shots to communicate a passage of time and/or location, a visually smooth transition between one or more
shots/scenes. Allow for handles (short sequences that lead up to and follow transitions).
(examples of dissolves: ripple dissolve, cross dissolve)
Other Examples of Transitions: wipes, cross zooms, flash frames, jump cuts
2) - Do I need a transition at this point?
- What transition will visually enhance my story-line?
- Which transition will visually detract from my story?
3) Cuts and Dissolves are the best story telling transitions.
Monday, January 4, 2010
Wednesday, November 11, 2009
Sunday, September 20, 2009
Elements of Design: Space

There's such an intense vibe concentrated in all that free area that you just naturally respond to it with a frown ... it evokes a deadly emotion within you, just by looking at the ruins and beauty and simplicity ... and 90% of it is pretty much an empty haunting sea which gets you wondering how so little can say so much ...
Element of Design: Shape

The circular-type motions of the brush that created the swirls and stars and sun and sky exhibit the motion of those natural elements and their infinite capacity to go beyond what is anticipated ... there's that sense of mystery and an other-wordly quality about this painting.
The castle or whatever that is, with those sharp triangular edges, adds an element of romance; conflict and dynamic and opens up a realm of possibilites for the scope of the imagination.
Principles of Design: Variety
Elements of Design: Form
Elements of Design: Colour
Saturday, September 19, 2009
Principles of Design: Rhythm
Principles of Design: Harmony

This piece pleases the eye ... harmony is about giving a piece an impressionable perception by making all the elements and principles work together somehow. This is a very idealistic setting and to be able to convey that peace you can find if you were physically there illustrates how Monet demonstrated unity. In short, it looks right.
Thursday, September 17, 2009
Principles of Design: Balance

Notice how part of the tree is much denser on one side of the painting. Is it obvious at a glance? No. Thus, we can deduce that the contrast between light and dark showcases a natural, secure look and feel. Nothing looks out place or lacking which is precisely the impression it's supposed to give off.
Principles of Design: Proportion
Principles of Design: Emphasis
Elements of Design: Shade
Elements of Design: Line

Line ... an ensemble of loose lines to create the motion of the house and her surroundings. For example, the house, bridge, wall, smoke, etc ... You can feel the bold strokes of the artist ... very definite and prominent.
Here, there is such detail put into the corridor ... the pillars and archways and even the floor! Unlike the other example, these lines are sharp and flow in a similar style in such a way that you are able to sense the authorative aura ...

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